FILMS
STORIES BUILT FRAME BY FRAME.
Narrative films created at the intersection of traditional filmmaking and generative technology shaped through direction, editing, visual development, sound and post-production.
THREE FILMS. THREE WORLDS. ONE FILMMAKING PROCESS.
01 — THE OTHER
PSYCHOLOGICAL SCI-FI · 2026
THE OTHER
"WHAT RETURNS MAY NOT BE THE PERSON WHO LEFT."
A woman returns to Earth fifteen years after a failed mission. But the person who comes back may not be the person who left. The Other is a slow-burn psychological sci-fi film that explores identity and memory through the lens of deep space isolation.
DIRECTED & EDITED BY
Bahadır Karasu
GENRE
Psychological Sci-Fi
LANGUAGE
English
YEAR
2026
FORMAT
AI-Assisted Narrative Film
WATCH THE TRAILER
THE OTHER — OFFICIAL TRAILER
STILLS FROM THE FILM
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02 — BOILING POINT
BORDER THRILLER · 2026
BOILING POINT
"ON THE BORDER, EVERY CHOICE HAS A PRICE."
On the Sonora border, an undercover operative discovers that every decision has a price. Boiling Point is a gritty, high-stakes thriller exploring the moral complexities of survival in a lawless territory. The film blends traditional action-drama structure with generative visual effects to create an intense, hyper-realistic atmosphere.
DIRECTED & EDITED BY
Bahadır Karasu
GENRE
Border Thriller / Psychological Drama
FORMAT
AI-Generated Narrative Film
YEAR
2026
RUNTIME
42 Minutes
LANGUAGE
English / Spanish
WATCH THE TRAILER
BOILING POINT — OFFICIAL TRAILER
STILLS FROM THE FILM
03 — RECALL
EXPERIMENTAL CINEMA · CINEMATIX
RECALL
"SOME MEMORIES AREN'T MEANT TO SURVIVE."
A new cinematic experiment from BKFILM.
DIRECTED & EDITED BY
Bahadır Karasu
GENRE
Experimental / Science Fiction
FORMAT
Generative Narrative Series - Vertical
YEAR
2026
PROJECT
Cinematix-Vertical Series 9:16
RECALL — OFFICIAL TRAILER
TRAILER COMING SOON
RECALL / A CINEMATIX PROJECT
BEHIND THE FILMS
CINEMA × GENERATIVE TECHNOLOGY
Every film we create is an investigation into the future of narrative art. We don't just use AI for speed; we use it for texture, perspective and visual depth that traditional tools cannot easily reach. Behind every generative frame is a human decision a question of intent.
"WHY THIS FRAME?"
"WHY THIS MOVEMENT?"
"WHY THIS CUT?"
Technology changes the possibilities. Filmmaking gives those possibilities structure, rhythm and meaning.
THE TOOLS CHANGED.
THE OBSESSION DIDN'T.
Stories still need to be imagined.
Images still need to mean something.
Films still need to be made.